Singing is not known to be a “forever” career. Moving from a performing or teaching career to an entirely different field does not negate the successes one gains in music, but the skills we learn on the operatic stage transition well into alternate career paths.
At first glance, soprano Jasmine Habersham might seem to onlookers as a classical vocalist who has followed a well worn path. But as you begin to peel back the layers of the soprano called “magnificent” by the San Francisco Chronicle, you'll find an intriguing reminder that no two roads are ever alike.
Studio LIS carves a niche for singers whose educational experience has been unequal. Elisabeth Stevens focuses on educating singers holistically as part of her efforts to build diversity within the industry.
Opernfest Prague, an innovative training environment, brings exclusive training, performance and professional development opportunities to international young artists.
The 2020–2021 school year was marked by an increase in technology use in the studio and beyond in academia. Even with in-person instruction returning, digital learning is here to stay. Learn here about the best possible tech solutions for classroom and voice studio.
Kofi Hayford has never been one to follow a traditional path – particularly when it comes to making music. While many budding vocalists find early footing in youth choirs or even youth theater programs, he spent his formative years immersed in the cultures of other countries. In fact, music didn’t even come on to the radar of the Ghanaian-American bass until he was a teenager.
Mental and emotional health is often tied to a singer’s identity. Learn how singers have managed the detrimental aspects of their career through therapy, positive self-talk, and the healing power of music.
San Francisco Opera’s Merola Opera Program and Adler Fellowship welcome a new artistic director in Carrie-Ann Matheson. Carrie-Ann Matheson has tapped into a knack for nurturing emerging talent throughout her musical career—something it appears she will continue to hone well into the future.
When conversing with Chrystal E. Williams, it’s difficult not to get swept up into a whirlwind of infectious energy. It radiates through her fiery eyes, broad smile, and larger-than-life personality as she joyfully reflects on what music has meant in her life, her faith, her family, and her will to make the world a better place through singing.
Most opera lovers will always remember their first trip to the Metropolitan Opera. But for Will Liverman, the experience set the stage for the rest of his life—literally. “I attended
Power couple Michelle Johnson and Brian Major make it work, on the operatic stage and off.
Stage director Jennifer Williams discusses how to create empowered portrayals of women on the operatic stage.
