Are you ready for your close-up? Are you also ready to be your own director, producer, sound engineer, set designer, editor, wardrobe stylist, hair and makeup artist, and camera operator? Craft services are optional, but with all the time and energy it takes to create a self-tape audition or video performance at home, you will definitely need a snack.
Stage director Jennifer Williams discusses how to create empowered portrayals of women on the operatic stage.
The search for the perfect graduate school begins long before the December pre-screening deadline. Here is a helpful guide for undergraduate singers to ensure that they are ready for graduate school auditions long before the application deadline.
In 2016, Michael Fabiano and John Viscardi founded ArtSmart, an organization dedicated to pairing professional musicians as mentors with middle and high school students in underserved communities. By providing free weekly vocal instruction, the company has experienced firsthand the power of music mentorship in shaping the lives of students in the best possible way. Discover more about this program, the artists behind it, where they hope to take it in the future, and how you can get involved.
oldovan soprano Natalia Tanasii was only 21 when she made her professional stage debut as Countess Almaviva (Le nozze di Figaro) at the Moldovan National Opera. Her Salzburg festival debut
Emmie and Harry’s is a public Facebook group, set up as an online cabaret venue with a weekly schedule including individual artist shows, open mic, and themed shows of multiple
Today it is very difficult to survive as a classical musician, partly because classical music is being pushed to the margins of society, but in large part, because the training of the musician who should be oriented to flourish their creativity, constrains and confines them to rigid structures and canonical repertoire.
Soprano Rainelle Krause has been flying high – literally. Once impresarios realized her impressive aptitude for stratospheric vocal fireworks, Krause’s opportunities blossomed in her previous two seasons, particularly in Europe.
I can say for my own experience that my voice and the voice of many singers I know got better after 40. From that age on, the voice, the body, and the technique are mature. Moreover, we have much more life experience that we can bring to the performances—experience that allows us to relate with the subjects that we sing about; therefore we communicate much better with the audience. We are also much more confident, and this confidence reflects in our performances. The voice and the experience of singing only get better.
Nicole Car and Etienne Dupuis recently sang for the whole world from their home in Paris at the Metropolitan Opera’s At-Home Gala. They brought the same joyful energy to that
In response to the COVID-19 pandemic, schools and universities across the country turned to online classes for much of the spring and summer terms. In the musical theatre world, this
CS Music recently had the opportunity to host a masterclass featuring Dan Micciche, the current music director/conductor for Wicked on Broadway. He offered some wonderful advice that readers can learn
