Christy Turnbow

Crossover singing can be an intimidating process for classical singers. Learn more about ways to make technical progress on musical theatre techniques.

Crossover artists must balance the expectations and requirements for acting in both opera and musical theatre. In this continuation from the September/October issue article, learn more about the rehearsal process and performance expectations.

Crossover artists must balance the expectations and requirements for acting in both opera and musical theater. Training differs for singers in each genre because each prioritizes expression differently.

We can no longer ignore the cry for change and justice that has been ringing throughout this country, our neighborhoods, and institutions of education. What change can singers and voice

any classical singers are curious about crossover styles but tentative to truly explore other genres. Read on for how to establish best practices in mix/belt styles and to recognize any

There are many questions to ask when selecting crossover material. Read on for
tips for the best possible start.

The critique “You need more grit” can be confusing feedback to singers. Learn more about crossover terms like “grit,” “fry,” and “wail” in this month’s column.

In response to the COVID-19 pandemic, schools and universities across the country turned to online classes for much of the spring and summer terms. In the musical theatre world, this

Get an inside view of what casting directors are actually wanting from auditionees.

Thoughtfully prepare each audition cut by demonstrating strong storytelling and musicianship.

Find out what accompanists expect from you at your next musical theatre audition.

Rather than forcing yourself to be something you think auditioners want to see, show them exactly who you really are.