2020 – Page 2 – All Articles

As a performing artist, I was used to adapting to circumstances at a moment’s notice. I moved to new cities for work. I navigated how to perform with wardrobe malfunctions. I modified my performances if I were sick or injured. The prospect of beginning graduate school was both exciting and unnerving. Having worked so many years as a working professional in musical theatre, I knew I could adapt. But nothing prepared me for the challenges of beginning school across the country from my home during a pandemic.

I was listening to Oprah on a podcast the other day. The following line struck me: “The way to get the life you want is to be grateful for the life you have.” 
I've always agreed with this in general. But is it true even in the midst of a pandemic that hit the arts harder than most industries? 

I bring you SHOWTUNE SAVVY—a digital series that will explore the musical theatre/Broadway cannon and give you a leg up when choosing what songs to bring to life, either in the audition room or concert stage.

Most audition judges are eager to hear any singer whose repertoire choices show some musical curiosity and a sense of adventure. Why choose only the “standard” five arias in your Fach for one audition after another? There’s so much repertoire out there waiting for you! OK, your “list of five” shouldn’t all be arias found off the beaten track, but one or two would certainly be welcomed by those auditioning you. “Aria Savvy” will present two arias per column, introducing you to music that will invigorate you musically while providing a refreshing change for your listeners.

Sometimes you get a gig with a week’s notice, and you have to memorize five arias. Or maybe you’ve got a jump-in offer for a role you last sang three years ago. Perhaps you’re just a little behind in memorizing your songs for a recital. Whatever the case, singers often have too much to memorize and not enough time.

The COVID-19 pandemic has caused many to reflect and reprioritize. As we move forward, however, it is crucial that the arts maintain a strong presence as they are necessary in linking humans to humanity.

Consider the pros and cons of different types of face masks and how well they work with singing and breathing.

Have you ever stopped to think about the importance of music in our lives?  How our daily lives are filled with its subtle power?

The critique “You need more grit” can be confusing feedback to singers. Learn more about crossover terms like “grit,” “fry,” and “wail” in this month’s column.

Dismantling systemic racism in the arts will create a better environment for all.

ver the years, I have had many questions about the thyroid gland and how its function (and dysfunction) impacts us—singers in particular. In the next few paragraphs, we will look

Mary Saunders Barton is a pioneer in crossover pedagogy. Read how her unique experiences shaped her as a performer and teacher and how this same journey continues to empower and encourage other singers and teachers to expand their musical palates.