Minda Larsen

Individuality, pretty singing, timeless songs – this year's Grammys were a pleasant surprise for opera singer and voice teacher, Minda Larsen. Read on for her perspective on the 2024 Grammys.

Marilyn Maye continues to be in high demand as a singer at 95 years young. She shares her decades of wisdom as a performing artist with CS readers.

Do you ever feel the "holiday struggle"? If so, you are not alone. Minda Larsen shares some tips to help survive-and even enjoy-the holidays as a singer.

In high school, I made a vision board by cutting out pictures and clips from old magazines and newspapers. At the top of the board, I pasted a clip that read: “Star in your ownshow!” This has become my life and career motto. At the time, I was exclusively focused on opera and classical singing. And even at 16, I knew my path would not be easy or straight forward. Fewer that one percent of singers with a B.M. or M.M. in opera or voice get enough work to live solely on their art. Performing at the Met is the dream, not the reality, so I knew I’d have to forge my own path. 

What do you do if your teacher is underwhelming, negative, or even emotionally abusive? Singer, teacher, entrepreneur and performer Minda Larsen continues her online series for singers with a look at how to deal with less-than-ideal training situations.

I’m not the kind of person who looks back at a year and lists milestones, or stresses how hard I've worked. I try to live in the moment and just get on with it. But this year, I was going over some financial statements and decided to take a statistical look at the second (!) pandemic year.

Yesterday, sitting in my little house alone, I stared down the void of Zoom, teaching young singers how to modify vowels.  When I finished teaching, I went into my kitchen

n my last blog, I discussed the negative self-talk that plagues so many artists, myself included. “I am not good enough” is like a soundtrack that plays on a loop.

ecently I was asked to speak, via Zoom, to a group of undergraduate music majors.  My main theme: my career started to change once I became conscious of my “self-talk.”

The artist's life is low on control even in normal times. During a pandemic, we can control even less (when theaters open, when concerts get the green light). But we can still control our thoughts. What's more: we have to. Mental discipline is a crucial part of success as an artist. And it's something we can choose to strengthen, like a muscle. 

None of us artists really knows what to do, or what's coming next. But I still feel we are essential, even if society (or the government) doesn't appear to feel this way. So what the hell are we supposed to be doing now? My answer: I haven't a clue. But also, not nothing.

I was listening to Oprah on a podcast the other day. The following line struck me: “The way to get the life you want is to be grateful for the life you have.” 
I've always agreed with this in general. But is it true even in the midst of a pandemic that hit the arts harder than most industries?