Audition anxiety is a major factor for many singers. Learn here how seasoned professionals handled their audition anxiety and built confidence and perspective through mindfulness and other techniques.
Discover how the English National Opera has addressed Long COVID and the accompanying breathing and anxiety problems many people face through their ENO Breathe program.
Dr. Jahn answers questions from singers about the connection between sensation in the nasal area and lack of vibrato and the pros and cons of a recommended dental implant. If you have a question for the doctor, e-mail him at jahn@classicalsinger.com.
The subject of fat shaming in opera has, in recent months, come to the forefront of industry awareness. Here singers share their experiences as well as the ways they bolstered themselves and how they continue to advocate for change within the opera world.
Yesterday, sitting in my little house alone, I stared down the void of Zoom, teaching young singers how to modify vowels. When I finished teaching, I went into my kitchen
For my generation, arts education was still very much so a requirement in most if not all school systems. Upon entering the classroom, you knew that that room, however small or large it may be, was an artistic and magical place. It was a fairly common feeling in every school I have attended. Bach, Beethoven, and Brahms at one point were thought of as brothers in my mind; they were usually mentioned together. Schubert, Schumann, and Strauss were spoken in the same if not higher esteem during my tenure as a student.
Adrienne Danrich is a singer but also so much more: a poet, composer, and creator in the arts who cannot be contained by a single definition. Her artistry lights the way for others in the field, and her example leads others to share their musical message in a plethora of ways.
I attended my first opera at The Met, The Barber of Seville, with my grandparents when I was eight years old. For the ensuing decade, my grandfather’s tutelage nourished my nascent love of opera. In high school, my decision to see Janáček’s Jenůfa created an unexpected schism between my grandfather and me in our operatic appreciation, as he did not know much about Czech opera.
When Matthew Hoch took over as editor of the NATS-sponsored So You Want to Sing series, published by Rowman & Littlefield, only three books of the 20-volume set had been published. That may have been readers’ first clue as to Hoch’s willingness to take on large-scale, daunting projects.
Are you left brained or right brained? Most of us are familiar with the distinction: right brained is intuitive, imaginative, and abstract while left brained is concrete and analytic. The
Diligent preparation while working as an understudy can lead to invaluable learning opportunities and experiences. The audition went well. The cast list is up. Your eyes scan the list in
Hear from some of the industry’s top artists on how they prepared for, navigated, and recovered from their pregnancies while striving to keep their vocal and physical health in top
