Brian Manternach

A stylistic and pedagogical guide to hip-hop and rap fills a glaring gap in the performance literature.

Two laryngologists collaborate to provide reliable recommendations related to vocal health.

Who doesn't love the magic of theatre? The world of the imagination, the suspension of disbelief, the communication of triumph and tragedy through words, music, lights, costumes, and sets. Anyone who has had a transformative experience through theatre will likely have a difficult time expressing the power of that experience through words. There are some words, however, that may be particularly inadequate or—in the opinion of at least one music professional—inaccurate. 

The first edition of The Vocal Athlete, published in 2014, was one of the first vocal pedagogy textbooks to focus primarily on singing in contemporary vocal styles. Authors Wendy D. LeBorgne and Marci Rosenberg also published a companion workbook of vocal exercises titled The Vocal Athlete: Application and Technique for the Hybrid Singer. 

In this interview, co-author Cynthia Vaughn identifies how “class voice” differs from voice lessons and discusses how The Singing Book has evolved over its 20-year lifespan.

A hefty, but accessible, book on voice science makes a difficult subject more approachable.

Tenor Frederick Ballentine opens up about his early operatic education, the surgery that saved his voice, and how he stays grounded amid an international performing career.

Let's be honest, practice sessions aren't always a walk in the park. Sometimes we need tiny victories to keep us going! Read on for Brian Manternach's thoughts on this.

"Voice is Free after SOVT: Semi-Occluded Vocal Tract Principles, Methods, and Training" is co-authored by speech-language pathologist and vocologist Karin Titze Cox and noted voice scientist Ingo R. Titze. Here they give an introduction to SOVT exercises and their potential benefits.

Young singers are always seeking advice for building a career. A new book provides excellent information for launching a professional career in music.

If you've ever been self-conscious to ask a question in class, you're not alone. Here are some thoughts about why it's important (and good) to speak up.

In her interview with Brian Manternach, Joanie Brittingham discusses the benefit of developing effective practice strategies, how they have worked in her own career, and how they can even apply to fields outside of music.