What makes the young male voice unique, and how does that impact its training? Find the answers, including specific vocalises to help in the process, here.
Church gigs are a staple for classical singers. Historically, these opportunities have been primarily choral in nature; students and professionals alike perennially serve as “section leaders” in choirs across a variety of dominations. Solo opportunities, however, do come along—and when they do, singers are expected to offer selections that will “fit in” with the liturgy of a traditional choral service. Where, then, is a singer to turn for ideas once the well of standard oratorio fare has run dry?
As the academic year ramps back up, managing responsibilities, practice time, wellness, and communication becomes a major component of student success. Read on to learn ways to better manage your schedule.
The musical “canon” of great works of the past is an important part of every singer’s training and core repertory of performance. Read on to learn how one singer has embraced the challenge of discovering and advocating for great BIPOC composers whose works have not previously been included into an expanded canon of master works.
What does it take to make an art song recording, including commissioning new works? Find out how Laura Strickling recorded two new albums while balancing family life during the pandemic.
Covering a wide range of vocal styles, an updated publication strives to apply voice science to create technical flexibility for singers wishing to explore other genres.
With changing weather and changing schedules, Dr. Jahn tells you how taking care of your sinuses just might keep you well.
Preparing a musical theatre college audition package requires organization, understanding of the requirements, and careful preparation. Read on to find tips and tricks to streamline the process of preparation.
Voice faculty and students alike may feel that systemic change is out of their power. In this article, find ways to create positive impact in your university experience.
Soprano, teacher, dramaturg/librettist, vocal consultant, and director Andrea DelGiudice epitomizes the “slash career” artist at a time when diversifying skills, talents and revenue streams is more important. By continually expanding her interests and exploring new avenues for creativity, DelGiudice is breaking the stereotypes and tropes of a classical singer who can only pursue one path in the music industry. She recently shared reflections on her journey from singer to Renaissance woman of the opera stage, and she offered wisdom for other artists, particularly women, who are looking to strive for a more varied and valuable career.
Kofi Hayford has never been one to follow a traditional path – particularly when it comes to making music. While many budding vocalists find early footing in youth choirs or even youth theater programs, he spent his formative years immersed in the cultures of other countries. In fact, music didn’t even come on to the radar of the Ghanaian-American bass until he was a teenager.
The pandemic exacerbated existing financial struggles for many singers and provided many singers with opportunities to lean in to other career areas. Learn more about how dual careers allow these singers to be financially stable and more confident in their artistic endeavors.
