Peter Thoresen

Telly describes what it’s like to have a role built on him, and shares reflections on his experiences working with iconic living (and recently living) composers Stephen Schwartz and Stephen Sondheim.

Columnist Peter Thoresen reflects on three years penning “Crossover Corner!”

Our conversation was wide-ranging yet moored to the topic of working with students. In part one of this two-part profile on Leung, we’ll focus on Telly’s most recent work with students, with an eye toward how he hopes to engage with singers at the convention later this month. But first, a little bit more on NYC born and raised Telly Leung.

“I am big. It’s the pictures that got small” “And now, Mr. DeMille, I’m ready for my close-up” and “I hate that word. It’s a return” are some of Norma’s most iconic declarations. And by Norma, I’m talking Desmond not Druid.

Norma Desmond, the beautifully delusional heroine of Sunset Boulevard, isn’t terribly unlike her druid priestess counterpart and namesake in so far as her infrequent, yet highly anticipated returns to the stage. Full-scale stagings of Bellini’s masterpiece Norma occur less frequently than Bohèmes and Magic Flutes, and they usually herald a new or returning torch bearer of the demanding role—for better or worse as history and critics sometimes snark.

Two-time Grammy Award winning® mezzo soprano J’Nai Bridges is busily preparing for two new role debuts. Read on to learn more about her and her upcoming performances.

Opera and musical theatre composer Jeanine Tesori recently spoke at Opera America about writing for singers.

The Franco-American Vocal Academy (FAVA) is a pillar of the summer programs for singers. Read on for more information about the approach William Lewis and Frédérique Added take with the young singers who attend.

Our Singer Spotlight for this month is Brooklyn-born baritone Jorell Williams! In this interview he shares about his life and career. Read on to learn about him!

This month’s column explores the value of hindsight, living life on life’s terms, growing in confidence, and choosing connection.

Not every song will be a good fit for every singer. If you do have a song you don't like at first, maybe give it a second chance. Who knows, you may grow to love it, sing it, or even book something with it!

The evolution of style in musical theatre repertoire is difficult to keep up with. In this issue’s column, read on to find inspiration to expand your knowledge and your “book.”

Some of the most important essentials for singers and performers are sometimes…unsexy. Here are some essentials to consider packing next time you are on the road.