As we head from winter into spring, I always feel that singers, like the birdsongs our pieces often imitate, burst joyfully out into our spring and summer performances. I’m particularly
A new anthology from Oxford University Press includes new solos from favorite choral composers and lesser-known composers. In the November/December 2021 issue of Classical Singer, I offered a review
Summer stock audition season is beginning with audition conferences and other audition opportunities. Read on to learn best practices for getting these summer performance jobs.
Learn here how to go beyond the numbers and use social media as one more powerful tools of communication in your artistic toolkit.
Technology updates abound that can help classical singers with their education and careers. In this article, learn about new apps that can help you succeed, including the new CS Music App.
Crossover artists must balance the expectations and requirements for acting in both opera and musical theatre. In this continuation from the September/October issue article, learn more about the rehearsal process and performance expectations.
Addressing important issues of acting methods, this publication is a much needed resource that rectifies a homogeneous approach to acting through history, critical commentary, and methodologies.
Four books from Compton Publishing delve into vocal pedagogy, vocal health for educators, singing for those with Parkinson’s disease, and the larynx. With ten years of publishing for academic and professional books and media, Compton Publishing releases an array of publications for voice professionals.
Diversity in choral repertoire, like the repertoire for solo singers, is a constantly evolving canon. For voice teachers and choral conductors alike, adjustments to curriculum and programming broaden not just the repertoire itself, but historical understanding of compositional techniques.
Crossover artists must balance the expectations and requirements for acting in both opera and musical theater. Training differs for singers in each genre because each prioritizes expression differently.
I’m not the kind of person who looks back at a year and lists milestones, or stresses how hard I've worked. I try to live in the moment and just get on with it. But this year, I was going over some financial statements and decided to take a statistical look at the second (!) pandemic year.
Anyone who uses google translate knows that it takes nuance, experience, and patience to fully grasp the deeper meaning of a different language. In the twenty-first century, singers have multiple tools at their disposal for language learning. For hundreds of years before the era of language apps, students of opera had to sit down with a dictionary and painstakingly look up each foreign word for translation. Through careful study and work with a polyglot coach, singers could grasp the meaning of an opera libretto not written in one’s native language.
