And welcome to a new era of the magazine. Last month was the final issue for our longtime Editor in Chief Sara Thomas. We love Sara and are so grateful
The vocal pedagogues of the past crafted tremendous singers and techniques for many generations. A new publication includes some of their written works and deserves the attention of the 21st century.
Do you ever wish you could add two or three more hours to a day? Finding time to fit in all of a singer’s responsibilities is daunting, but the following tips can help you get started and get organized.
Get a closer look at opera’s ever-changing landscape from three major singers and one director.
Tenor Leonardo Capalbo’s obsession with history and opera started long before his formal musical education at Juilliard. As a young boy growing up on two continents, Capalbo took an interest first in Pavarotti and then any and all singers from the past, researching and listening at his local library. He now applies that same passion to every role he undertakes—new and old—from his Verdi favorites (Macduff in Macbeth, Alfredo in La traviata, Riccardo in Un ballo in maschera, and Jacopo Foscari in I due Foscari) to roles like Mario Ruoppolo in Il postino and Tom Rakewell in The Rake’s Progress. Read why Capalbo feels that such a varied repertoire keeps his mind and voice fresh and much more in this exclusive Classical Singer interview.
A successful bass shares how a congenital disorder has shaped him and his work on the opera stage as well as how greater inclusivity in casting will help shape operatic productions into resembling the present day.
Three attributes can help with the complex assembly of the many pieces in the classical vocalist’s life.
Life is a journey full of firsts and lasts. Beginnings and ends. Starts and finishes. And all of the wonderful, hard, sad, good, happy, difficult, messy, normal, and extraordinary stuff
Uncle Tony offers his advice for students returning to the classroom this month. Read his thoughts on how studying music at the university level requires using both the left and right hemispheres of the brain and much more.
We asked college professors what students should and shouldn’t do in their in-person voice audition. Find out what made the top 12 here.
When considering electives to complete your degree, a musical theatre acting class might be just the thing to take your performance to the next level. That’s what happened for one New York City-based singer.
When choosing recital repertoire, it is common for students to gravitate toward the most well established songs. Composers who receive the lion’s share of ink in music history textbooks and
