Daniel Helfgot, the Classical Singer 2009 Stage Director of the Year, talks about creativity, progress, and why a score, with all its details, is a terrible thing to waste.
Center Stage spotlights a Classical Singer reader in each issue. If you would like to be featured, go to www.classicalsinger.com, click on “Center Stage” and follow the instructions.
While planning the annual back-to-school September issue you’re now holding in your hands, I sought out interviewees for April James’ article on hiring agents’ perceptions of advanced degrees. I contacted
Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.
. . . And the Show Continued to the End American soprano Joyce DiDonato was singing Rosina in Il barbiere di Siviglia on opening night at London’s Royal Opera House
Before you start launching expletives at opera companies as you pull out your checkbook to pay yet one more audition fee, find out the whys and wherefores of those fees.
A 2008 and 2009 Young Artist at Santa Fe Opera relates how diligent preparation, consistent hard work, and a stroke of good fortune during last summer’s SFO season changed her life forever.
When I decided to make the 140-mile trek to sit down with a few of the Apprentice Artists at this summer’s Lake George Opera Festival, I had no idea I
At a time when many opera companies are scaling back, one company in upstate New York is making some significant changes in the face of recent unprecedented growth. Curtis Tucker, former general director and now artistic director, shares the reasons for his title change and what it means for him and Lake George Opera.
Don’t let the seemingly endless expenses that go along with your audition package get you down. There are ways to save costs without scrimping on quality.
It’s 5 a.m. The alarm rings. You don’t want to get up, but you force yourself to drag your sorry behind out of bed, knowing you’ll regret it if you
Addio, Amato Opera, ‘Addio mio dolce amor!’ Even if Amato Opera did not present Puccini’s Edgar, the opera from which the headline derives, its music was sweet to the ears
