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From the Editor : Knowledge Is Power

In an effort to lose the baby weight from daughter number two, I decided to try something I had always been dead set against: counting calories. It was too much
Dec 01
Errata

In “The Man and His Music: Part One” in the November 2013 issue, Gerre Hancock’s name was misspelled. In the “From the Editor” column, Sara Thomas wrote that Glendower Jones
Dec 01
Bulletin Board : News, Tidbits, Musings, and more

New York Says Goodbye to City Opera The New York City Opera’s acclaimed production of Anna Nicole at the Brooklyn Academy of Music was the company’s final show. On September
Dec 01
To Institutionalize or Not?

Starting a project but not sure where to start? Find your place among the different business structures. Here’s the Entrepreneurial Career column by Amanda Keil from the December issue of
Nov 25
Ear Training for Musical Entrepreneurs

How often have you sat in the vestibule outside of an audition room and found yourself held captive by an overly chatty singer? Perhaps you’re not the direct recipient of
Nov 22
What's Your Fee?

“You don’t get paid for the hour. You get paid for the value you bring to the hour.” Jim Rohn   One of the biggest hurdles and challenge for those
Nov 12
Fundraising & Grants

Raising money from foundations isn’t easy, but several funders want to support artists just like you.   But brace yourself for some inconvenient truths. By and large, foundations and government
Nov 05
Singing as a Small Business

Taking your music career seriously means seeing it, to some degree, as a small business.   To gain objectivity, look at your current project or venture the way a consultant
Nov 04
How to Brand, Market, and Promote Your Opera Company

In article three of this five-part series on how to create your own opera company, learn the ins and outs of creating a strong brand through a logo, company name, and mission statement. Then read how to market and promote that brand through social media and the press.
Nov 01
Leading Tenor? : What a Bore!

The leading tenor may get the girl, but the character tenor gets the laughs and so much more. Steven Cole explains what makes a character tenor.
Nov 01
Gathering Feedback : Nine Tips on Asking for It and Understanding It

Can’t figure out why you’re not getting ahead? Receiving conflicting advice? Here are some tips for sleuthing out the truth and putting it to use.
Nov 01
From the Editor : What Other People Want

I have a love-hate relationship with e-mail. I love it because it makes communicating with others so much easier! I hate it because my ever-overflowing inbox is also ever-overwhelming. But
Nov 01

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