Kerriann Otaño and Cris Frisco have a conversation about the mental health crisis in the operatic community. They share ideas for self-care and ways to address mental health issues while working as a singer.
Choosing recital repertoire is an art form that many wonderful artists have been chronicling for decades. Read on to learn about how to include more works by women composers in your recitals as a student and as a voice teacher.
Most audition judges are eager to hear any singer whose repertoire choices show some musical curiosity and a sense of adventure. Why choose only the “standard” five arias in your Fach for one audition after another? There’s so much repertoire out there waiting for you! OK, your “list of five” shouldn’t all be arias found off the beaten track, but one or two would certainly be welcomed by those auditioning you. “Aria Savvy” will present two arias per column, introducing you to music that will invigorate you musically while providing a refreshing change for your listeners.
Learning new music from living composers can be daunting to singers unfamiliar with the process. Read on to gain strategies for successfully collaborating with composers and approaching newly composed works.
Learn tips to make recording a part of your practice routine to provide you with greater feedback and make regular recordings easier.
As we head from winter into spring, I always feel that singers, like the birdsongs our pieces often imitate, burst joyfully out into our spring and summer performances. I’m particularly
Columnist Brian Manternach reflects on having written 100 articles for Classical Singer. He shares his experience of becoming a writer and then a columnist—and of the opportunities that abound when singers and voice teachers also become writers.
A new anthology from Oxford University Press includes new solos from favorite choral composers and lesser-known composers. In the November/December 2021 issue of Classical Singer, I offered a review
Kamala Sankaram is both a singer and a composer, celebrated in the worlds of contemporary opera and experimental music. Read on to learn about her work, which exists at the intersection of art and technology, as well the integration of cultures influencing her creative output.
With the passing of Carol Kirkpatrick, the operatic world has lost one of its best. Carol lived by example and was herself a shining example of the artist’s life. She had a way of seeing the artist within everyone around her, and her goal was always to help us find it. She was the mentor young singers didn’t know they needed until they met her—and she was the first to see us and tell us the whole truth, even when we didn’t want to hear it. Her career spanned multiple continents, but at the same time she understood what it took to maintain a family along with a career.
In this guest article from allergist Dr. David S. Mazza, learn more about managing allergy problems and understanding the way your body responds to common allergens.
Crossover singing can be an intimidating process for classical singers. Learn more about ways to make technical progress on musical theatre techniques.
