Keith and Kirsten Chambers are an unmatched operatic duo. As a conductor and soprano, they lead out as both performers and educators in opera. They bring their love for each other and the art form into all of their various endeavors in the field of opera.
I recently took a weekend trip to New England—my first solo trip since before the pandemic—where I enjoyed a sculpture walk near Lake Winnipesaukee in New Hampshire. One of the sculptures had floating text that read “What a long, strange trip it’s been.” I can think of no way to better describe the moment in which we find ourselves.
Preventative care for the entire body is important for vocal health. Dr. Jahn shares tips for daily habits that can keep your voice in excellent shape.
Opera Houses around the World Show Support for Humanitarian Crisis in Ukraine In light of Russia’s invasion of Ukraine and the humanitarian crisis that has unfolded since, a number of
Music Director Malcolm J. Merriweather shares about the mission of Dessoff, its members, and plans for its centennial season.
As inflation rises, singers creatively compensate for increased costs while wages stagnate. Read on to learn how professionals at various stages are adjusting their mindsets and making choices that help them continue their artistic work in the face of financial challenges.
Soprano Mary Wilson has made a name for herself in oratorio repertoire. She shares her experiences in this interview. Wilson is also a masterclass presenter at the CS Music Convention.
The final book of the So You Want to Sing series is complete. Learn more about cabaret singing, as well as the other offerings in the So You Want to Sing series.
Since its establishment in 1967, Bronx Opera (BxO) has been providing performance opportunities for singers at the start of their careers, and their alumni have been featured on the world’s stages. Throughout the years, the company has also worked tirelessly to bring opera into the community and expand audiences. BxO’s General Director Benjamin Spierman gives us a glimpse into the company’s work and upcoming productions.
Most audition judges are eager to hear any singer whose repertoire choices show some musical curiosity and a sense of adventure. Why choose only the “standard” five arias in your Fach for one audition after another? There’s so much repertoire out there waiting for you! OK, your “list of five” shouldn’t all be arias found off the beaten track, but one or two would certainly be welcomed by those auditioning you. “Aria Savvy” will present two arias per column, introducing you to music that will invigorate you musically while providing a refreshing change for your listeners.
Learning new music from living composers can be daunting to singers unfamiliar with the process. Read on to gain strategies for successfully collaborating with composers and approaching newly composed works.
CS Music has had the privilege of working with Stefano de Peppo multiple times, and his Masterclasses have always been informative, encouraging, and extremely insightful. We had the opportunity to sit down with him and get a glimpse into his world and what he’s currently working on.
