All Articles – Page 206

If you find yourself the proud owner of a new iPhone or iPod touch, you are in a good position to enhance your singing pursuits. Here is a list of downloadable applications, many free, that are useful to classical singers.

Once in a while, when the stars are aligned, when the director, conductor, singers, and designers are all on the same page and of the same skill level, opera has the potential to become what the composer in Ariadne auf Naxos calls “die heilige unter den Künsten” (the highest of the arts). What follows is not a review, but an appreciation of one recent occasion where singer and writer Lisa Houston saw that potential realized, causing her to reevaluate the possibilities for the art form of opera.

In the spirit of Adria Firestone’s recent series “The Singer’s Addiction,” one “retired” singer shares how she is transitioning into a new career as the artistic director of a concert series on New York City’s Roosevelt Island. Read about how she did it, the miracles that have occurred, and the challenges she’s still praying to resolve.

In this final installment of Firestone’s series on retiring from singing, Adria Firestone shares readers’ thoughts on this somewhat frightening prospect that looms in the future of every singer. Read what your fellow singers have to say on everything from retiring, to transitioning to new careers, to the joy, heartache, and hard knocks of this career.

I was running on the trail around the Jacqueline Kennedy Onassis Reservoir in Central Park last fall, with my music up loud, minding my own business. Suddenly a bird lit

Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.

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CS wraps up its four-part series on the Feldenkrais Method with a continued discussion about how this technique can help you learn to release unnecessary tension in your singing and discover a new way of doing things.

Building on the continuing discussion of recognition, mourning, grief, and letting go, Adria Firestone discusses the healing, forgiveness, and gratitude that can come after a singer decides to leave the stage.

A Google search on New Year’s resolutions instantly reveals a host of websites listing the most common goals. The lists look remarkably similar with essentially the same resolutions worded just

Kenneth Kamal Scott Tenor Brooklyn, N.Y. Please tell our readers about your career highlights so far. Soloist with Boston Symphony Orchestra with John Williams conducting, starring role on Broadway for

Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.