What is it you expect from your voice teacher? Do you often expect them to make something happen for you vocally without you being part of the equation? How responsible
I often wake up during the semester to find a variety of texts from students either canceling a lesson or asking a question about an upcoming performance. Then as I
With limited time to grab and hold the attention of a Young Artist Program screening panel, you cannot spend too much time adjusting and tailoring your résumé. It’s just a
Solid vocal technique is critical when venturing out into the real world of professional singing. And I don’t think we talk enough about why it’s so important to gain a
Last weekend I was able to spend a few days in the High Uintahs with my son Mike. In addition to being able to enjoy beautiful scenery, we also were
Jean Madeira enjoyed a lengthy career at the Metropolitan Opera, where her Carmen was legendary. But the road to that Carmen was hardly straight. Read about the mezzo soprano whose large shadow nearly kept Madeira from that role on the Met stage, as well as Madeira’s remarkable voice and acting abilities that led to an international career, as seen through the eyes of those who knew her.
Young Artist Program administrators speak out about résumé dos and don’ts.
When it comes to being a singer, communication is key. But often some of the most important dialogue is done without accompaniment. Being a polished professional means never missing a chance to make a good impression, whether in person or on paper (and computer screens, too).
Hear first hand from someone who sits on the other side of the table what the general director of the Florentine Opera looks for in Young Artist Program auditions.
Have lots to do? Balancing work with play can make you like your work more—and help you to do more, too.
I spoke in a meeting recently with three fellow women who are good friends and also 10 to 15 years older than I am. Before the meeting began, we exchanged
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