Singer, teacher, and summer program director Daniel Ferro passed away November 18, 2015. Read about his life and the optimistic future of the summer program he started 20 years ago.
Is bad breath getting you or someone you know or love down? Learn about the possible causes and how to keep yourself smelling minty fresh onstage and off.
Opera is a family affair for up-and-coming baritone Corey Crider, who balances being both full-time singer and full-time husband and father to his wife and their four children.
Soprano Anne-Carolyn Bird and bass-baritone Matthew Burns are currently having the adventure of a lifetime. In the midst of two full-time singing careers and as parents of two small children, the couple made an unusual and “crazy” decision. While they knew it was unconventional and not for forever, they also knew it was the best and right decision right now for their family of four.
I have the opportunity and challenge of working from home. I started working remotely years ago when I was single, living in New York City, and actively pursuing a singing
Singers look back on their college years and share what they wish they would have known before they began their music major.
For singer parents, improvisational singing with their children at home probably seems like the most mundane and natural of things. But a new study suggests such activities may have long-term and lasting impacts on children’s development. Read about the study here and see what musical parents have to say about such music making.
By Mark Stoddard *Mark Stoddard will present the Marketing Workshop in New York City on Friday, January 22. Register at www.classicalsinger.com/workshop with the discount code CSWORKSHOP. Now, more than ever,
By Jonathan Blalock The following is a transcript of a conversation I had with Joyce DiDonato after her beautiful performance in Great Scott. (Joyce D): Is it true? Is
Mezzo-soprano Stephanie Blythe has sung on the major operatic stages the world over during the last two decades. When examining the scope and breadth of her work, one word best describes her: versatile. Not only has she mastered the operatic repertoire from early to classic to modern, she has also successfully forayed into art song, popular song, and musical theatre. With a performance career that spans from Semele to Samson et Dalila to Sweeney Todd, Blythe now seeks to impart a love of American art song in young singers at the Fall Island Vocal Arts Seminar.
What do you do when someone you love tells you you’re a failure because you’ve chosen a path they don’t see as worthwhile or because they don’t think you’re successful? Learn how to honestly evaluate their words and then set appropriate and healthy boundaries.
Longtime collaborators Stephanie Blythe and Alan Smith sit down with auditors of their Fall Island Vocal Arts Seminar to discuss the importance of the positive in teaching, the value of reciting text—both in the practice room and the recital hall—and the appropriate 21st-century repertoire for the young singer.
