2011 – Page 3

Is your Internet presence crowned by video clips of your performances? If not, it’s time to get yourself on YouTube and become the next Internet sensation.

Having your wallet, laptop, or car stolen—in addition to feeling like a personal violation—can be a major financial headache. Learn how to minimize the cost when such unwanted events happen, as well as how to avoid them altogether in the first place.

Israel Chamber Orchestra Plays in Bayreuth, Germany The Israel Chamber Orchestra played Richard Wagner’s Siegfried Idyll in Bayreuth for an audience of 700 on July 26, according to Agence France-Presse.

One of the foremost baritones singing today, Thomas Hampson has sustained an international career as a recitalist, opera singer, and recording artist for decades. He has received awards and accolades from countries around the globe and carries the titles of Kammersänger of the Vienna State Opera and the Chevalier de l’ordre des Arts et des Lettres by the Republic of France. His discography includes more than 150 albums and has earned him a Grammy, four Edison prizes, and the Grand Prix du Disque. Here Hampson discusses his life-long passion for learning, the changing face of opera, and more.

You’ve read in recent months about the grueling schedule of a Fest singer. So what happens when said Fest singer gets sick?

Last month Cindy discussed how to prepare before you get to rehearsal. In this installment, she shares the unwritten rules of professional rehearsal behavior once you are at rehearsal.

Critics have cried for years, “Where is the big operatic voice?” But are they asking the wrong question? Olivia Giovetti explores a variety of other possibilities that might explain what many consider a dearth of large voices.

Tenor Steven Ebel shares how he landed a spot as the only American in a London YAP, as well as how he manages to both sing and compose professionally.

We continue last month’s discussion on professional role preparation with a candid discussion with coaches, a conductor, and stage directors about expectations. What level of preparation do they expect from singers when they step into the rehearsal process? Find out here and avoid being caught ill prepared.

The second semester of my freshman year I enrolled in Italian 101 at 8 a.m. on Monday through Friday to fulfill the language requirements for my vocal performance degree. I

Dr. Jahn answers questions from singers about the effects of birth control on the singing voice, how thyroid disease impacts vocal production, and the risks and benefits of cortisone shots. If you have a question for the doctor, e-mail him at jahn@classicalsinger.com.

The friction between the university choral program and voice program is not news. But a university where these two programs have found common ground and are working in tandem is. Students and teachers will benefit from reading how Montclair State University is doing it.