Two singers offer perspectives on the education that prepped them for a career. Read even more hindsight in part two in the upcoming September University issue.
Baritone Gabriel Preisser is enjoying a busy and active singing career. So why would he take on the role of artistic and executive director? Find out here.
Mezzo-soprano Elizabeth DeShong grew up in a small Pennsylvania town and came to the decision at a relatively young age to pursue an operatic career. Supportive parents found the aspiring singer voice and piano teachers, and she devoted herself to dutiful study of both instruments throughout her college career. Those piano skills continue to pay off for DeShong—the mezzo remarkably self-coaches all of her own roles. And as unexpected as the variety of roles DeShong sings is the attention to detail she gives to not only her artistry but all aspects of her life, including a website she hosts featuring captivating photos of her traveling life. With upcoming return appearances at Glyndebourne and the Met, DeShong is truly an artist to watch.
Michigan Opera Theatre is expanding its Young Artist Program and legendary tenor Richard Leech joins David DiChiera to lead the way.
Baritone Thomas Hampson continues to inspire singers, teachers, and artists alike with his work in promoting art song. Read about his foundation’s most recent offering: the Song of America Educators Workshop in New York City.
In June Christi challenged CS readers via www.ClassicalSinger.com to watch 10 operas this summer and complete her survey below. If you haven’t started, it’s not too late! Find details here.
Take advantage of the spare time you have this summer to catch up on some reading that will inspire your mind and your next performance.
Another reality TV adolescent opera singer went viral recently, and the classical singing world reacted. But is the typical outrage, although certainly well informed and well intentioned, really the best way to respond? Perhaps seeing such excitement over opera singing, even if it doesn’t meet our educated standard, as an opportunity rather than an insult could benefit us all.
An almost empty glass of wine set on a bright green plate. Five CDs featuring Leontyne Price, Jose Carreras, and Christa Ludwig standing neatly on a shelf. A red Cenerentola
By Carol Kirkpatrick, author of ARIA READY, The Business of Singing “It is only necessary to have courage, for strength without self-confidence is useless.” Casanova Here is a great story
Here is my full recap from Sunday of the Classical Singer Competition & Convention: Sunday: As you already know, I woke up on Sunday morning to see that I hadn’t
By Angela Myles Beeching Last week I spoke at the Classical Singer Convention and had a great time working with talented and motivated vocalists (YAY!). It was a wonderful experience
