Similarly, there are artists who give “perfect” performances and those who give “excellent” performances. Technically, these performers might be at the same level, but the experience they offer is like night and day. That’s because perfectionism and excellence come from completely different places and lead to completely different outcomes.
One of the most prolific and admired living American composers, Dr. Adolphus Cunningham Hailstork III, continues to write music that is thrilling, poignant, and introspective. It was my honor to visit with him in early April.
This tool time is going to talk about a very important aspect of vocal hygiene: the voice team. I hope by the time you finish reading through this article that you have an idea of where to look for help and how to maintain good relationships with all the stakeholders in your voice.
Internationally acclaimed soprano and Eastman faculty member Nicole Cabell will conduct a masterclass at the CS Convention on Sunday, May 25 at 11:00 AM. I visited with Ms. Cabell in April to talk about her approach to masterclasses and our conversation took some interesting turns.
Telly describes what it’s like to have a role built on him, and shares reflections on his experiences working with iconic living (and recently living) composers Stephen Schwartz and Stephen Sondheim.
Columnist Peter Thoresen reflects on three years penning “Crossover Corner!”
Budget travel is a necessity for singers. Learn about ways to make your travel affordable while still being prepared to sing your best!
Masterclasses are an important part of the convention. Read on for how to get the most out of the experience, either as auditor or participant.
Learn more about how to maximize your success in competitions.
Guest columnist Kylie Evans explores how to build healthy relationships in a competitive singing industry.
Hailey McAvoy’s Journey as an operatic trailblazer for liberation and visibility for performers with disabilities is one that is changing who we see on our opera stages.
A stylistic and pedagogical guide to hip-hop and rap fills a glaring gap in the performance literature.
