All Articles – Page 305

Ever want to stand up and sing while attending an opera? During the opening night of Handel’s Guilio Cesare, the performance was halted early in the first act when the

This is our first article to begin the discussion on the problems associated with monthly cycles, hormones and the female voice. We welcome your questions, comments, solutions and experiences. Please send them to CJ Williamson at cjw@classicalsinger.com or Classical Singer magazine, PO Box 95490, South Jordan, UT 84095-0490.

Many singers believe that Manhattan is the center of the universe, and with good reason. For music, theater, art and general excitement, it stands among the great cities of our

John Fisk—Young singer doing the New York auditions circuit Report on the summer: The pay-to-sing I went to was a big success. I played one leading role and one comprimario

Dear Editor: I’d love to see an article on deviated septum and the singer—i.e. does getting it fixed affect the timbre of the voice? Can you get it fixed without

• Drink lots of water. Your urine should be pale gold, rather like champagne unless you take Vitamin B, then it is orange. (Yuck.) • When you’re tired, sleep. Or

What is Gastroesophageal Reflux Disease (GERD)?
How does it affect singers? What options are available?

AND PEOPLE WONDER WHY we singers are such hypochondriacs. Our desire to sing is so strong we’ll rise up out of our graves to do it. We’ll endure low pay,

HOW WAS IT? Write to me! The good, the bad, and the ugly! December’s issue will feature your comments. I will withhold your name if you like, but I need

Competing Opera Companies Merge After seven years of competing with one another and frustrating potential donors, the Opera Company of North Carolina and Triangle Opera have decided to overcome their

STEPHANIE BLYTHE calls herself “the most fortunate young artist on the planet,” and with good reason. Opera lovers are not known for their charity when assessing vocal talent, and even the most famous singers before the public today have aggressive detractors. But all the critics, both professional and amateur, seem to agree that Stephanie Blythe is blessed with a major instrument that she uses to potent effect in a repertoire ranging from her triumphant Cornelia in the Metropolitan’s recent Giulio Cesare to contemporary compositions like Richard Danielpour’s American Requiem.

Erda, the erstwhile earth goddess from Das Rheingold and Siegfried with knowledge of past and future, now visits CS readers with her knowledge, foresight and wisdom. To ask Erda, write to askerda@classicalsinger.com