Claudia Friedlander’s second book provides information and inspiration for singers on the professional track.
Kerriann Otaño and Cris Frisco share their expertise from the “other side of the table” about a contentious topic: audition attire. Learn more about how to dress your best for auditions from this conversation about guidelines instead of rules for audition attire.
New England Conservatory’s Song Lab prepares the next generation of recitalists. The sophistication and nuance necessary for recital performance are complex and difficult, and Song Lab helps prepare singers for a high-performance level.
Embracing choreography and dance is vital for singers, as it helps with body awareness and music’s connection to movement. Read on to learn more about movement and its relationship to your voice.
Nathan Gunn and Beth Morrison share their insights on "In Our Daughter's Eyes", the opening production at this year's PROTOTYPE Festival.
The resignation of Afton Battle from Forth Worth Opera is sending shock waves throughout the operatic community. Her departure mid-season raises important questions about the state of the industry.
Preparing for an audition means hours, days, and weeks of practice. Yet all the practice in the world can be for naught if you do not also pay attention to two other parts of audition preparation.
American mezzo Eve Gigliotti recounts the experiences, struggles, and opportunities that helped launch her professional career. Read on to learn more about this celebrated singer.
Do you ever feel the "holiday struggle"? If so, you are not alone. Minda Larsen shares some tips to help survive-and even enjoy-the holidays as a singer.
Practicing is crucial for vocal development, but it can be overwhelming trying to practice when you don’t know where to start. Here are some strategies to help you get the most out of your practice sessions!
Every year, musical theatre faculty at colleges and universities everywhere hold auditions for want-to-be musical theatre majors. Read on for five tips to have a solid audition.
The 2022 winners of the Pellicciotti Composition Prize are Timothy Takach and Caitlin Vincent. Their opera, Computing Venus, provides a fascinating glimpse into the life of astronomer Maria Mitchell.
