Your college years are often the most critical time for fi nding a voice teacher to lay the foundation for the singer you will become. In essence, choosing the right teacher can make or break your career. In this conclusion of a two-part article, Cindy Sadler takes you through the signs for determining whether a teacher is right for you and how to “break up” when and if that time comes.
So you’ve decided to pursue a degree in vocal performance. What school is best for you? How important is fi nding the right teacher when considering possible schools? How will you pay for your education? How can you find out about scholarships and fi nancial aid? Should you go on to pursue a master’s degree or doctorate? Angela Myles Beeching, career counselor at the New England Conservatory, provides a host of answers to these and many other questions facing the college-bound singer.
As many singers head to conservatory this fall, it is worth examining some of the pros and cons of studying voice in that environment. A snapshot of two very different singers will get you thinking about how to make the most of your time in school so you can develop, according to Verdi, the three most important qualities in a singer: voice, voice, and voice.
Mark Lamanna has enjoyed a varied career, including years of dance training at the Joffrey Ballet School and Balanchine’s School of American Ballet in New York City, as well as a stint performing on Broadway. Now Lamanna dedicates his time to stage directing, inspiring singers to give their all in communicating and expressing the meaning of the music. In this Classical Singer exclusive, Lamanna shares how he teaches singers to trust their own impulses, why he thinks musical theatre and opera aren’t so different after all, and the importance of living in the now.
With audition notices pouring in, colleges asking for prescreenings, and a growing number of competitions holding their initial rounds by CD, it might be time for a new demo. Want to stand out from the crowd? New York City’s Gurari Studios offers a fresh new option for the singer looking for an edge: an orchestra.
Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.
From her inspiring singing on the operatic stage and, her charismatic personality and charm shared on the television screen, to her keen business sense off the stage, Beverly Sills left an indelible mark on the world of opera.
In this final article exploring the seven chakras, learn about the crown chakra. Opening and balancing this chakra can help you live in the present with an empowering sense of quiet strength and confidence.
After three intense rounds of competition among more than 200 applicants, the judges of the AudComps 2007 named 13 singers Certified Classical Singers for 2007-2008.This month, read about soprano Aimée Puentes and baritone Jason Detwiler from the Professional Division.
Learning to sing often means learning to be self-motivated, self-disciplined, self-perceptive, and much more. Can these important skills help us find success in other areas of our life? One singer and researcher decided to find out, and shares what she’s learned in this five-part series.
Many of us have read of the tragic events of the final days of singer Jerry Hadley’s life. Cindy Sadler, who knew and worked with Jerry, reflects on the many gifts he offered on and off the stage. If you’d like to share your thoughts on these recent events, visit the Classical Singer forum at www.classicalsinger.com.
I love all of the seasons, but there’s something particularly special about fall. When the sultry heat of summer slowly subsides and a crisp coolness infuses the air, I can’t
