Villazón Returns in Triumph Mexican tenor Rolando Villazón returned to the stage at the Vienna State Opera on March 22, 2010. His Nemorino in L’elisir d’amore was as charming and
Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.
Thrust dumbbells in the slope of the belt with one hand This is an effective exercise for the development of the latissimus and giving back width and massiveness. The main
Features of higher education in Hungary Higher education abroad is relevant to many of today’s young people who think about their future and want to make it possible more successful.
One of Juilliard’s most notable graduates returned to the school last fall to do something she rarely does. From her relaxed attitude and spot-on advice, you would never guess that Renée Fleming isn’t a regular masterclass instructor. Read in her own words the technical advice she shared with four singers.
Don’t miss this final column of “Inspirazione,” as Lisa Houston brings you her inspirational thoughts on not missing out on the bigger opportunities of life.
One singer, when faced with the frightening possibility of never singing again, found a remarkable way to keep music in her life.
Classically trained singer Bridie Carroll now makes her career in musical theatre. Find out how she survives life on the road doing eight shows a week, what she views as the secrets to auditioning success, and how her family and faith continue to ground her.
Whether you’re a singer interested in exploring the musical theatre repertoire or a teacher looking for a great reference tool, this new edition of a comprehensive annotated musical theatre guide is for you.
As singers continue to cross genres to increase opportunities, it may behoove them to also consider crossing over into marketing trends where the other-than-classically trained singers are finding success.
A reader recently responded to an e-mail detailing the lineup of classes at this year’s Classical Singer Convention. “If Classical Singer will not maintain the purity of the classical art
Dear Editor: I found two of the articles in your March issue interestingly contrasting: “Nudity in Opera Today” and “Ageism in Opera.” If I may be allowed to correlate the
