Much of the singing scene has dramatically changed with the passing of time. Some things are timeless, however, like the precarious relationship between critic and singer, or the graceful offstage performance of an always-poised diva.
Mezzo-soprano Nancy Fabiola Herrera has received rave reviews for her portrayal of Carmen all over the world, including her recent performance at the Met. Herrera credits much of her success to Régine Crespin and the insights Crespin shared with her while the two worked together on the role in Paris. Now, Herrera shares Crespin’s insights and her own in this verbal masterclass on the irresistable Spanish gypsy.
Singers from around the country have been participating in Classical Singer magazine’s first Do-It-Yourself Summer Program, led by Cindy Sadler. Read about how the program helped singers set and accomplish goals to further their singing careers.
Last month, we discussed the ins-and-outs of starting an e-mail mailing list and sending mail blasts. Now we turn to more advanced techniques: sending professional-looking e-mails using Constant Contact and other mass e-mail services.
This month, we feature mezzo-soprano Basia Revi from the Emerging Professional Division and soprano Jennifer Winn from the Professional Division.
There is a new buzzword out there among singers. Perhaps you’ve heard it: “Feldenkrais.” What is the Feldenkrais Method? How does it help singers, and can it help you? This four-part series will introduce you to the method and show you some of what it has to offer.
Last month we began discussing the difficult decision to leave the stage. This month we examine the heartache and grief surrounding this major directional change, and the time needed to truly allow yourself to mourn.
Laser surgery is one of the newest advancements in the medical field—but it is not always the best and most effective route to take. Dr. Jahn outlines when to opt for the laser and when to opt for the more traditional way.
Do singing-related reality TV shows hold any opportunities for classically trained singers? A singer shares how she got a personal invitation to audition for one such program, and her experience venturing into a world she never thought she would enter.
When Patrice Munsel made her Metropolitan Opera debut in 1943, America was in the throes of the Second World War, televisions were not yet a household item, and a first-class postage stamp cost just 3 cents. Munsel reflects on that time and how it helped shape her career. Read about the days when the Met was a repertory theater, when opera singers graced the covers of magazines and became television stars, as well as Munsel’s advice for the next generation of opera singers.
Not long ago I went to an Apple Store to buy an armband for my video iPod. When I couldn’t find what I was looking for, I asked the store
Chuck Karel reflects on the life of his friend and coach who recently passed on at the age of 96. From stage directors, to singers, to conductors, Leila Edwards worked with many of the greats, but passionately shared her love of music with everyone, famous or not.
