Learn here how to go beyond the numbers and use social media as one more powerful tools of communication in your artistic toolkit.
Crossover artists must balance the expectations and requirements for acting in both opera and musical theatre. In this continuation from the September/October issue article, learn more about the rehearsal process and performance expectations.
Addressing important issues of acting methods, this publication is a much needed resource that rectifies a homogeneous approach to acting through history, critical commentary, and methodologies.
Singers take many different paths in maintaining an opera performance career, and many factors contribute to success. In addition to the excellent musicianship skills and vocal artistry needed to remain competitive in the industry, more elements also play large roles. A singer needs a strong belief in themselves, drive to keep moving forward, and the ability to maintain physical and mental health to serve them as they continually challenge themselves as artists.
Dr. Jahn weighs in on the modern healthcare system and the dangerous pitfalls that come with business, not your health, taking precedent. Read on to find out how you can take better control of your healthcare in this landscape.
Analisa Leaming is a brilliant and versatile Broadway performer who has translated her success into mental, emotional, and spiritual support for other artists through her podcast and coaching. In this interview, Leaming shares her thoughts on approaching transitions, the unexpected, and disappointments that artists of all levels must face in an uplifting way.
Church gigs are a staple for classical singers. Historically, these opportunities have been primarily choral in nature; students and professionals alike perennially serve as “section leaders” in choirs across a variety of dominations. Solo opportunities, however, do come along—and when they do, singers are expected to offer selections that will “fit in” with the liturgy of a traditional choral service. Where, then, is a singer to turn for ideas once the well of standard oratorio fare has run dry?
