Even three years out of school, I still get that “first day” feeling the moment this time of year rolls around. There’s something about the crisp air, fresh lineup of planners at Barnes & Noble, and the quiet hum of people easing back into their routines that makes me feel like we are collectively turning a page into a new chapter.
When I wrote about confidence versus self-worth in Part 1, I thought I was closing a thought, but in the weeks since, I’ve found myself returning repeatedly to the concept of worth: observing how it shows up in my conversations with producers, creatives, actors and ultimately in my own day-to-day life as well.
Edwards has returned to his previous work for revisions and additions, all of which appear in the new So You Want to Sing Rock. In the interview below, Edwards outlines what readers can expect from the new volume and explains some of the impetus behind the changes and inclusions.
Across all fields—whether you are a performer, a speaker, an athlete, or a leader—the most magnetic individuals have one thing in common: they are fully here. Presence is the invisible force behind true impact.
As applied voice teachers continue efforts to diversify the vocal canon and highlight underrepresented composers, one significant name still often overlooked is Isabella Colbran (1785–1845).
It’s been terrorizing me for years: I’m backstage, frantically flipping through an unfamiliar libretto, attempting to memorize my entire role while a stage manager counts down, “places in five!” I always wake up just before curtain, drenched in sweat and so relieved it wasn’t real.
It’s true that anxiety and excitement can feel identical in the body. But energetically, they carry completely different frequencies. One wants to escape the situation; the other wants to be deeply present.
A couple months ago, I shared some of my go-to tools for handling the infamous “what’s next?” questions. Today, I want to chat about what happens after that moment. How to keep your creative spark alive when your calendar is empty.
The ARC of Auditioning is a new monthly column offering behind-the-scenes insight from a seasoned casting director. With practical wisdom and candid reflection, Duncan Stewart will bridge the gap between classical/conservatory training and the real-world audition process.
I’ll be honest, I started teaching voice the way a lot of people start teaching voice: I found myself with a MM and at a year-long YAP, I didn’t have a ton of time or work experience except singing and knew that I could make a little extra cash teaching voice.
You are one post away from changing your life. And I don’t just say that for effect. For the longest time, I was terrified of social media; not because of trolls or strangers on the internet. No, I was scared of people I knew seeing me “try.”
Budget travel is a necessity for singers. Learn about ways to make your travel affordable while still being prepared to sing your best!
