The So You Want to Sing series continues to produce books directed to vocalists interested in specific genres. The Rowman & Littlefield series, sponsored by the National Association of Teachers
The ushering in of fall with all its wonderful colors and changes is also, unfortunately, accompanied with cold and flu season. But what if you absolutely must perform? Find tips for dealing with a compromised voice and how to make the most of this less-than-ideal circumstance.
New to meditation? Discover some of the benefits for singers and get a free meditation session from a trained and experienced professional.
Once thought to be technically illegitimate, contemporary vocal music now sits in the forefront of everyday life and has become a major influence in musical theatre. A new publication has compiled the technical and biographical information from the pioneering pedagogues in this field, bringing greater knowledge and legitimacy to this former stylistic outcast.
Voice equipment and applications have never been more convenient or simple. Find tips for personal or professional use here.
One singer shows how a career path can take you miles away from where you began and how accomplishing big goals requires not only hard work but tons of positive thinking and self-empowerment.
Mezzo-soprano Angela Brower credits much of her success to encouraging teachers and great training at both Arizona State University and Indiana University, which prepared her for a thriving career in Germany at the Bavarian State Opera. And this mezzo is not slowing down. In 2018, Brower debuts in both the Teatro Mayor in Bogotá, Colombia, and the Lyric Opera of Chicago in addition to a calendar full of concerts, recitals, masterclasses, and other operatic works worldwide. Known for her masterful and unique interpretations of Octavian, Dorabella, Hansel, and Cherubino, discover her process for making roles truly her own.
And welcome to a new era of the magazine. Last month was the final issue for our longtime Editor in Chief Sara Thomas. We love Sara and are so grateful
The vocal pedagogues of the past crafted tremendous singers and techniques for many generations. A new publication includes some of their written works and deserves the attention of the 21st century.
Do you ever wish you could add two or three more hours to a day? Finding time to fit in all of a singer’s responsibilities is daunting, but the following tips can help you get started and get organized.
Get a closer look at opera’s ever-changing landscape from three major singers and one director.
Tenor Leonardo Capalbo’s obsession with history and opera started long before his formal musical education at Juilliard. As a young boy growing up on two continents, Capalbo took an interest first in Pavarotti and then any and all singers from the past, researching and listening at his local library. He now applies that same passion to every role he undertakes—new and old—from his Verdi favorites (Macduff in Macbeth, Alfredo in La traviata, Riccardo in Un ballo in maschera, and Jacopo Foscari in I due Foscari) to roles like Mario Ruoppolo in Il postino and Tom Rakewell in The Rake’s Progress. Read why Capalbo feels that such a varied repertoire keeps his mind and voice fresh and much more in this exclusive Classical Singer interview.
