At the Classical Singer Convention last May, judges commented that many singers at every level, from high school to professional, were singing inappropriate repertoire. Read on to find out how you can avoid this far too common faux pas and know what songs are the right ones for you.
A pretty voice might not be enough. Know how to market yourself in the ever-changing and competitive business of singing.
An important part of a singer’s education—both while in school and after—is proficiency in the basic operatic languages. Olivia Giovetti shows singers how to economically continue their study of languages at any age and stage of life.
Michelle Goodman isn’t a singer. She has never worked for an opera company. Nor does she represent artists of any kind. And, yet, you may find her to be one of your best resources.
Daniel Helfgot, the Classical Singer 2009 Stage Director of the Year, talks about creativity, progress, and why a score, with all its details, is a terrible thing to waste.
Center Stage spotlights a Classical Singer reader in each issue. If you would like to be featured, go to www.classicalsinger.com, click on “Center Stage” and follow the instructions.
While planning the annual back-to-school September issue you’re now holding in your hands, I sought out interviewees for April James’ article on hiring agents’ perceptions of advanced degrees. I contacted
Nearly all voice majors will sing in a choir at some point during their education. Voice teachers’ and choral teachers’ opinions about the effects of choral singing vary greatly. A voice teacher and a choral instructor, both from Eastern New Mexico University, give their viewpoints on a few of the issues that affect the singer in a choral setting.
. . . And the Show Continued to the End American soprano Joyce DiDonato was singing Rosina in Il barbiere di Siviglia on opening night at London’s Royal Opera House
In a profession where competition runs extremely high, it’s the little things that often make the difference. Attitude is one of those seemingly little things that can actually determine whether you work or don’t, as well as how pleasant your life is when you are working. Regardless of where you are in your career—just beginning your freshman year or completing your fiftieth professional gig—these thoughts on attitude are for you.
Don’t be caught unawares come December 1 when graduate applications are due. Find out everything you need to know to begin preparing now.
If you have a doctorate degree or are considering earning one, read what five general directors and one manager have to say on the subject.
