2008 – Page 4 – All Articles

When Patrice Munsel made her Metropolitan Opera debut in 1943, America was in the throes of the Second World War, televisions were not yet a household item, and a first-class postage stamp cost just 3 cents. Munsel reflects on that time and how it helped shape her career. Read about the days when the Met was a repertory theater, when opera singers graced the covers of magazines and became television stars, as well as Munsel’s advice for the next generation of opera singers.

Singers from around the country have been participating in Classical Singer magazine’s first Do-It-Yourself Summer Program, led by Cindy Sadler. Read about how the program helped singers set and accomplish goals to further their singing careers.

Mezzo-soprano Nancy Fabiola Herrera has received rave reviews for her portrayal of Carmen all over the world, including her recent performance at the Met. Herrera credits much of her success to Régine Crespin and the insights Crespin shared with her while the two worked together on the role in Paris. Now, Herrera shares Crespin’s insights and her own in this verbal masterclass on the irresistable Spanish gypsy.

After years of singing in Vegas and in choirs, baritone Jason Stearns—encouraged and mentored along the way by former leading baritone, Thomas Stewart—has finally arrived at center stage. Stearns discusses how his relationship with Stewart influenced his interpretation of the great roles, such as Wagner’s Flying Dutchman, his career path, and his life.

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This month, we feature mezzo-soprano Basia Revi from the Emerging Professional Division and soprano Jennifer Winn from the Professional Division.

Not long ago I went to an Apple Store to buy an armband for my video iPod. When I couldn’t find what I was looking for, I asked the store

Laser surgery is one of the newest advancements in the medical field—but it is not always the best and most effective route to take. Dr. Jahn outlines when to opt for the laser and when to opt for the more traditional way.

Opera houses, living rooms, churches, assembly halls, classrooms, public parks—do the places and spaces you sing in energize or depress you? Did generations past give more thought and attention to acoustics as well as an inspirational setting? Singers put enormous time and energy into thinking about how and why we do what we do. Let’s take a moment to think about where we sing.

There is a new buzzword out there among singers. Perhaps you’ve heard it: “Feldenkrais.” What is the Feldenkrais Method? How does it help singers, and can it help you? This four-part series will introduce you to the method and show you some of what it has to offer.

Patrick Anderson Columbus, Ohio Tenor Please tell our readers about your career highlights so far. Highlights include singing in a masterclass for Thomas Hampson, singing in a chorale that featured

Last month we began discussing the difficult decision to leave the stage. This month we examine the heartache
and grief surrounding this major directional change, and the time needed to truly allow yourself to mourn.