OONY's Adelia, Jose Cura's CD, "autobiography" of Callas
In this concluding section of an exclusive interview, Melano tells singers – and stage directors – the kinds of preparedness they will need to surmount the inevitable challenges of their careers.
A celebrated coach tells where to find everything you’ll need to know about Rossini’s “Il Barbiere de Siviglia”
As we enter the 21st Century and the third millennium, we should reflect on a minor miracle: Opera has survived, intact, to the end of the 20th Century. Opera has
Mezzo Adria Firestone answers a singer's question on how to prepare for those difficult roles.
As the century and the millennium turn, so do our thoughts to the fabled, and much-discussed Golden Age of Classical Singing. In the coming year, we resolve to open a
Thomas Hampson discusses the essential mystery that lies at the core of the singer’s art.
No Color Line at the Met Dear CS: As most of you already know, MTV took the unusual step of holding the annual awards at the Metropolitan Opera House in
An opera coach takes a close look at the famous aria from Johann Strauss' Die Fledermaus
Classical Singer debuts a new section, REVIEWS, this month. We have long recognized the need for performance reviews which emphasize the singers and the music-making rather than the sets, costumes and other elements normally emphasized by the general press. It is particularly appropriate to begin this series with performances by Opera Orchestra of New York, as its founder and maestro Eve Queler has long been regarded as staunchly supportive of the singer’s art.
Dr. Jahn's tips for delivering the voice while you're awaiting.
What do singers think is needed to form a more perfect union?
