Summer is a wonderful time to read. More daylight and more garbage on television may inspire you to pick up a book. Biographies, histories, or books of opera anecdotes make great reading for singers, but the novel is a particularly wonderful way to examine the interior life of being a singer. Here’s a book report on three classics.
For singers great and small, pedagogy is the key that can unlock the voice to its fullest potential, from proper breath support to alignment, space, and placement. Understanding and implementing the physiological process involved in healthy singing isn’t always easy, however. This series aims to explore the many theories and methods behind vocal pedagogy from some of the most sought-after and highly acclaimed experts on the subject. We begin by tackling one of the most problematic areas many singers encounter on their paths to understanding vocal pedagogy: the passaggio.
Classical Singer readers who are also voice teachers share their thoughts on their chosen profession.
Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.
The familiar “ding, ding, ding” had just sounded, indicating our initial descent into the John F. Kennedy International airport. I leaned in close to the airplane window and peered out
Often it can seem that you just don’t have enough time to accomplish everything on your plate. Whether you’re a student, an established professional, or anywhere in between, time management is always a challenge. Coach Carol Anderson shares her ideas on planning ahead, setting firm deadlines, making time for practice, and practicing effectively.
In this difficult profession, sometimes we need help with a little perspective to remember why we sing. Here a singer and coach shares her reasons for singing, including how the joys and frustrations have caused her to find deeper, more fulfilling reasons for continuing a life of song.
In previous articles we’ve taken you through blogs and MySpace. This month Classical Singer’s one-woman “geek squad” introduces you to the podcast.
The ins and outs of being a classical singer can be overwhelming. It is easy to get lost in worrying about technique, business woes, audition nerves, or performance stress. With graduation season in full bloom, many singers are stepping out into the world to try to realize the dream of becoming a professional singer. Whether you are just starting out or you’re a seasoned professional, before you sing another note or send out another résumé, take a few minutes to remember how you got into this mess. Try to remember the moment you knew you were a singer.
Submit entries to the bulletin board by e-mail at bulletinboard@classicalsinger.com.
Martha Bartz Mezzo-soprano Charlotte, N.C. Please tell our readers about your career highlights so far. After a successful 24-year career in international transportation sales and marketing and software development, while
