Three attendees share their reviews of the Classical Singer Convention ’08 held at the Brooklyn Bridge Marriott Hotel May 29-31. Read about the fantastic events at this year’s Convention, and
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Performing, performing, performing. That’s the name of the game as a young singer working to build a résumé. But what if your college or university falls short in providing these opportunities? Don’t sit on your hands feeling sorry for yourself. Consider other possibilities for creating your own performance opportunities.
I recently learned that Motto magazine named my alma mater’s maxim one of the top 10 best college mottos in the country. I used to drive past the words, etched
Last month, CS featured conductor William Fred Scott’s thoughts on auditioning. This month, Scott shares details about his new position at Brenau University and its unique program to help singers emerge better prepared than ever for the operatic business. In addition, he discusses problems he sees in the training of young voices to have a “perfect” sound at the cost of individuality, personality, and uniqueness, and talks about what annoys him most about young singers today.
Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer, visit www.classicalsinger.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!
Even within the rigorous schedule of required music classes, students must choose those pesky electives. Will some classes help you more after college than others? Don’t be afraid to step out of the music building and exercise that left brain with classes that will prove beneficial in your singing career.
Is a college diploma really necessary for becoming a successful opera singer? General director Dan Montez responds to this question with some surprising answers. Learn how to get the education you need to make your dreams a reality.
The business side of singing is becoming more and more important in an ever-changing market. What are universities doing to prepare singers? Career counselor Angela Myles Beeching tells CS how a number of universities are addressing this need and discusses how alumni and schools alike can better help the next generation.
Styles are getting more and more casual these days, but is it really OK to show up for studio class in jeans and flip-flops? Or should student singers be more conscientious about their attire in a university setting?
Several universities have fostered good relationships with local opera companies, choral groups, chamber groups, and symphonies—and their students are reaping the benefits.
For financial, scholastic, or other reasons, not all singers start out at four-year schools. What are the pros of starting at a two-year college, and how can you prepare yourself in those two years to move on to a bigger school? Professors and students weigh in on the issue.
