From a rigorous schedule to late night study sessions, long hours in the practice room, and evening rehearsals, the life of a college music student presents a myriad of challenges, one of which is staying healthy. For the college singer- student, maintaining good health is even more important. Here’s Dr. Jahn with some sound advice for keeping the doctor away.
Abusive people are experts at luring in their victims and making their victims feel that they are the ones at fault. You may not realize you are being abused until
Your college years are often the most critical time for fi nding a voice teacher to lay the foundation for the singer you will become. In essence, choosing the right teacher can make or break your career. In this conclusion of a two-part article, Cindy Sadler takes you through the signs for determining whether a teacher is right for you and how to “break up” when and if that time comes.
So you’ve decided to pursue a degree in vocal performance. What school is best for you? How important is fi nding the right teacher when considering possible schools? How will you pay for your education? How can you find out about scholarships and fi nancial aid? Should you go on to pursue a master’s degree or doctorate? Angela Myles Beeching, career counselor at the New England Conservatory, provides a host of answers to these and many other questions facing the college-bound singer.
As many singers head to conservatory this fall, it is worth examining some of the pros and cons of studying voice in that environment. A snapshot of two very different singers will get you thinking about how to make the most of your time in school so you can develop, according to Verdi, the three most important qualities in a singer: voice, voice, and voice.
Mark Lamanna has enjoyed a varied career, including years of dance training at the Joffrey Ballet School and Balanchine’s School of American Ballet in New York City, as well as a stint performing on Broadway. Now Lamanna dedicates his time to stage directing, inspiring singers to give their all in communicating and expressing the meaning of the music. In this Classical Singer exclusive, Lamanna shares how he teaches singers to trust their own impulses, why he thinks musical theatre and opera aren’t so different after all, and the importance of living in the now.
With audition notices pouring in, colleges asking for prescreenings, and a growing number of competitions holding their initial rounds by CD, it might be time for a new demo. Want to stand out from the crowd? New York City’s Gurari Studios offers a fresh new option for the singer looking for an edge: an orchestra.
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From her inspiring singing on the operatic stage and, her charismatic personality and charm shared on the television screen, to her keen business sense off the stage, Beverly Sills left an indelible mark on the world of opera.
What happens when you combine talent and a great product with a strong determination and creative marketing? Thirteen productions of your opera at 13 different universities. Sound remarkable? It is, and composer Joseph Turrin shares how he made it happen.
In this final article exploring the seven chakras, learn about the crown chakra. Opening and balancing this chakra can help you live in the present with an empowering sense of quiet strength and confidence.
Along with her many triumphs on stage, Ruth Ann Swenson has recently triumphed offstage in a recent battle with breast cancer. In this Classical Singer exclusive, Swenson shares how she managed to keep singing through her recent serious health scare and how the man who is both her husband and vocal coach remains a constant support in her singing and personal life. She also gives sound advice to singers on staying healthy, learning to say no, and following your heart.
