Last month we brought you a review of the third anthology in a Spanish art song series. This month we bring you more news on the push by many to bring this relatively unknown music to light. Read about two advocates of Spanish song and exciting events happening in New York City this month.
The night before an important nationally televised singing engagement, I tossed and turned, unable to sleep. Even after I got to sleep, I awoke nearly every hour to stare anxiously
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At first glance, Kyle Ketelsen may seem to have followed a conventional career path—a degree from Indiana University, a student of renowned teacher Giorgio Tozzi, and a winner of the Met National Council Auditions. His rise to international fame, however, has been anything but typical, as he shares in this Classical Singer exclusive. Ketelsen tells how six years in the National Guard gave him a different perspective on life, how he sacrifices to keep family a top priority, and about recent lifestyle changes he’s made to make sure he is always on his game.
Another audition season is on the horizon, which for many singers means auditioning for Young Artist and outreach programs. Read about one singer’s experiences sharing music with young students in California classrooms—experiences that enriched not only the students’ lives, but the life of this singer as well.
Regardless of whether you agree with current trends, there’s no denying that looks and appearance are becoming ever more important in the world of opera. One successful singer shares her recent weight-loss success story, including how she determined to do it, what keeps her motivated to keep the weight off, and how it has affected her singing and her career.
A young soprano asks Erda’s advice for dealing with a difficult colleague who, despite the soprano’s clear objections, insists on listing her as a reference. Erda responds with her characteristic wisdom and sound advice. If you have a question for Cindy, e-mail erda@classicalsinger.com.
World-renowned soprano Ana María Martinez joins CS with her second article, continuing her sound advice on competitions, including the value of competing even when you don’t win. If you have an issue you’d like Ms. Martinez to address in a future column, e-mail it to editorial@classicalsinger.com.
Singers know that networking is a must to succeed in this profession. One singer who is taking the notion of networking to the next level shares how her unique approach is helping not only female singers, but entrepreneurs in other professions as well.
What are those little gadgets—as small as cell phones, as inexpensive as a voice lesson (or two)—that are finding their way into rehearsals, coachings, and lessons? Today, when a singer or teacher wants to capture a moment of sound, the choices are as varied as the quality of the sound and the flexibility of the technology. Lisa Houston takes you on a brief tour, from the dinosaur of the microcassette recorder to the latest iPods, to let you know what’s out there, how it works, and what it costs.
