Practice, practice, practice. That’s what it takes to get to Carnegie Hall, right? It also takes experience, experience, experience—not to mention a lot of networking, connections, and luck. Pay-to-sing, pay-to-learn,
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As a singer, your whole body is your instrument—but how many of us really know how to use that to our advantage? OperaWorks summer program director Ann Baltz offers three great exercises to help you use your whole body when you sing. See more of Ann’s work at this year’s Classical Singer Convention in San Francisco, May 24-27.
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Looking for a fun way to learn French? One school in Paris offers students a variety of options for a great language experience. You can start class on any Monday of the year and choose from a host of levels. What’s more, your classmates are from all over the world, and with French as your only common language, you’ll be speaking like a native in no time!
New York City cab drivers come in a variety of flavors. You meet all kinds: from those who talk on their cell phones non stop as they zip through the
Being a singer is expensive, from lessons to coachings to application fees—and that’s just the tip of the iceberg. Summer program tuition and travel expenses can be overwhelming—but grants and funds are available. Find out how to learn where the money is and how to write an effective grant proposal that will put your best foot forward.
Retired Metropolitan Opera star Martina Arroyo spends her energies these days providing opportunities for the next generation of singers. Read about her summer program, Prelude to Performance—which is looking towards its third season in 2007—and decide if this program might be something for you.
Italians are known for their love of all things opera. Sarah Lobegeiger experienced it firsthand on her inaugural trip to the homeland of Puccini, Verdi, and Bellini.
Looking for a great, inexpensive way to learn Italian this summer? You may want to consider a university in Perugia. One singer shares her experience, which not only taught her Italian, but introduced her to a new culture to boot.
The University of Miami’s Salzburg program celebrated 20 years this past summer, and Kathleen Szalay gives a full report. From master clinicians to a well-organized schedule, this program has a lot to offer.
In Part 1 of “You Are What You Think,” Lynnette Owens examined several financial thoughts that may be interfering with both your financial and singing success. She assigned you to start observing your financial thought patterns and taught you about affirmations as a method of changing those thought patterns. In Part 2, discover the singing thought patterns that may be negatively affecting both your singing and your financial success.
