Soprano and voice teacher Andrea DelGuidice has extensive performing experience in opera, opera directing, plus a robust voice studio, and leadership roles in programs of study and opera companies. It’s no wonder that she lends her creative flair and attention to detail to her home as well.
When I spoke with Jocelyn Hagen earlier this month, she was putting the final touches on an exciting new project.
Tell us about your newest project.
It’s a Christmas oratorio called Rose Ever Blooming, which I’m writing with my husband, Tim Takach, for Voces8. Years ago, Tim found this amazing book of poetry by Patricia Monaghan that’s all about Mary. It really humanizes her in a very beautiful way, and we had this idea for a large work based on this poetry. We had been commissioned by Voces8 in the past and had a good working relationship with them, so we approached them, pitched the idea, and they said, “Yes! And if we do it, let’s record it right away!” So, it just sort of snowballed into this huge project.
Who doesn't love the magic of theatre? The world of the imagination, the suspension of disbelief, the communication of triumph and tragedy through words, music, lights, costumes, and sets. Anyone who has had a transformative experience through theatre will likely have a difficult time expressing the power of that experience through words. There are some words, however, that may be particularly inadequate or—in the opinion of at least one music professional—inaccurate.
Jeremiah Evans has been described as a “consummate melodist” (OperaWire), and his songs and piano repertoire have been praised as having “an impressionist milkiness” (NY Times). In the last five years, his music has permeated the classical vocal world, with performances by Lawrence Brownlee, Kenneth Overton, and many others.
American soprano Mary Dunleavy has enjoyed an exciting international career that spans over three decades and counting. She has done it all, from the most iconic soprano roles on The Metropolitan Opera stage, to premiering new works, singing on a Steven Spielberg film, and teaching at Manhattan School of Music. Dunleavy credits her longevity to a hard-earned vocal technique, a solid mental game, a passion for acting at the core of her performances, a loyal team, family life and a good dose of luck.
Soprano Nicole Heaston is a shining example of a constantly evolving artist in an ever-changing operatic landscape, a singer who values story-telling and technical excellence, and someone who wants to inspire, encourage, and nurture young talent.
Two-time Grammy Award winning® mezzo soprano J’Nai Bridges is busily preparing for two new role debuts. Read on to learn more about her and her upcoming performances.
Soprano Mandy Brown shares her experience with breast cancer diagnosis and the transformative power of adaptability, patience, and a supportive community.
Director of the Oper Wuppertal, Rebekah Rota says, “You can be lucky only after you have been smart.” Her career trajectory from singer to administrator in the German opera theater demonstrates an organized progression in the business of singing.
In this column, we explore singers to watch, celebrate new albums, note new resources for singers, and recognize other industry changes.
Elizabeth Benson and Kate Rosen are on a mission to end anti-fat bias in singing spaces.
