Jarrod Lee tells his story of finding his voice as a singer and as a librettist.
Starting your freshmen year as a voice performance major is equal parts thrilling and terrifying! Read on to see what advice current voice performance majors from around the country have for incoming freshmen.
In this two-part series, learn more about how to use your singing training to enter the voiceover world.
Perimenopause, menopause, and postmenopause can be a challenging period for singers. Read on to learn more about the vocal signs of this life change and maintaining elasticity, flexibility, and agility through it.
New resources will help both performers and educators give their regards to Broadway.
A benefit concert held in memory of heralded soprano Rebecca Luker shines a light on crossover repertoire.
To be a performing artist is to exist in a constant state of whiplash, especially in a classical art form. Getting to a place of self-empowerment can seem impossible. Read on to learn how to gain confidence as a singer.
With more than 100 operatic roles to his credit, Mark S. Doss has made a career of masterfully treading between bass and baritone.
Singer and voice teacher Michelle Latour shares her experience with jaw surgery and recovery, short and long term.
If you’re inside escaping from the [heat, humidity, bad air quality], here’s a project for you. And by the title, “Outside Scholarships,” I don’t mean that you now have to go outside. Read on to learn more!
Teaching group voice lessons can be a lucrative and rewarding activity for voice teachers. Learn more about how to implement this into your voice studio and ways to find success teaching in a group setting.
In this column, we will sojourn through some less performed French art songs in the fourth part of a series on unexpected vocal repertoire.
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