A singer’s music education simply isn’t complete without mastering the once almost extinct skill of the vocal trill. First consider the history of this ornament, and then find six practical, hands-on methods for ensuring this is a tool in your own singer’s tool belt.
Tenor Neil Shicoff has graced the stages of all of the leading opera houses in major roles the world over. Now he is bringing all of that experience to a new role: teacher. His practical pedagogical approach includes sharing his own life lessons with his students. Shicoff shares many of those lessons here, including how he dealt with performance anxiety, what roles he wishes he would have waited to sing, why students need to remember that their teacher is working for them, and much more in this exclusive interview.
Accelerate your vocal progress by coupling classroom and studio knowledge with four practices that will help you create your own individual program.
As a new school year begins, consider the advice a seasoned singer would give himself at the start of his college career.
As the lazy days of summer end and the stress of the fall semester sinks in, take a few moments to view your new situation with a light-hearted perspective.
My memories of the college campus where I earned my two degrees stretch back far earlier than my years as an actual student there. My dad started teaching at Brigham
Superstar soprano, Deborah Voigt, is taking charge of life beyond the stage in a commanding way. A biography, a one-woman show, a teaching fellowship at Notre Dame, artistic director of
Read what students should and shouldn’t do to stand out in the right ways while pursuing a college degree—from social media to rehearsals to class.
Katharina von Bora is an historical, non-religious opera written by conductor and composer Mihai Valcu, with lyrics by Bill Zeiger. In his critique after the opera’s premiere, November 7, 2015,
Why do you sing? This is the first question I often ask new voice students, sensing that they sometimes need to be shaken awake, in order to change direction and
Cody Quattlebaum, a young singer on the rise, has racked up quite a résumé. With debuts in Zurich and London, Quattlebaum has also been a finalist in the 2018 Glyndebourne Opera Cup and the 2017 Metropolitan Opera National Council Auditions and received a grant from the Richard Tucker Music Foundation. In concert, he has appeared at Carnegie Hall and Alice Tully Hall. How does someone so young, just barely out of graduate school, achieve so much? Ambitious and adventurous Quattlebaum shares his success story here. Read about his up-and-coming European career, plus his advice to young singers.
Singing in restaurants can be a great gig—you can make money, try out new repertoire, and often eat for free. But it isn’t without its challenges too. Find out how to appreciate the perks and navigate the difficulties here.
