2011 – Page 6 – All Articles

Six artists and teachers share what they consider are the five most important things a singer should do. From posture to a released jaw to having your materials always at the ready, it’s all here.

Five singers working in Berlin tell what it’s like to have a Fest contract, how the audition scene is changing, as well as what are the perks of living in Germany’s capital city.

It may be more grueling than Canyon Ranch, but Houston Grand Opera’s Studio program offers a similar spa-like experience for the voice. Find out from current Studio artists what makes this program great, what administrators look for in Studio artists, and where former artists are singing now.

Four coaches from Young Artist Programs share what their job entails, how they strive to inspire singers, and what they think singers need to be accepted to and find success in a Young Artist Program.

This long-time manager and singer consultant who has sat in on countless auditions over his 30-year career shares what you can control in the audition setting. Read about why considering what your auditioning for is paramount, as well as what you wear, what you sing, and so much more.

Get a glimpse into the obscure world of orchestral work from those who do the hiring.

With audition season just around the corner, brush up on how to ensure you make a good and professional impression every time.

What happens when Olivia decides to put her own advice to the test and live strictly on $50 for a week? Find out here.

Hypnotize yourself at the touch of a screen. Can it really work? And what are its benefits for singers?

After years of training with a teacher, you are ready to make the move on from university training. What can you expect vocally when you do so? Two voice teachers provide their views of what it takes to gain entrance to and survive a Young Artist Program.

Classical Singer Competition Results Are In The seventh annual Classical Singer Vocal Competition was held in Los Angeles May 20-22 at the Westin LAX Hotel. Nearly 1,000 singers participated in

CS decided to find out more about Opera on the James’ new Young Artist Program, which just finished its inaugural year. The program’s first four participants tell why they decided to take a chance on a start-up program and how it compared to their expectations.