After an unforgettable introduction to early music from her public high school choir teacher, Ellen Hargis was “hooked.” She now leads an international career, performing this music in concert and opera settings worldwide. Find out how she got her start in such a specialized niche and read her advice for singers wanting to delve into this repertoire. Then be sure to join Hargis and your fellow singers at the Classical Singer Convention in Chicago this May.
Musical theatre roles offer classical singers a host of additional job opportunities—but how do you make yourself competitive as a crossover artist? Two teachers who are also singers living and working in the heart of the musical theatre industry tell all.
CS joins Dr. Anthony Jahn in welcoming otolaryngologist Dr. Robert Bastian as a guest contributor to this issue and presenter at the Classical Singer Convention in May.
Last month Rachel Antman brought readers an interview with Donald Palumbo, chorus master of the Metropolitan Opera. This month, Donald Nally, chorus master of the Lyric Opera of Chicago, tells what he looks for and what a singer can expect when auditioning for him.
Charisma, stage presence, star power, the X Factor. These terms all describe that elusive quality that draws people to a performer or a work of art. Everyone wants it. But is it something you either have or don’t have, or is it possible to learn? Read what four industry professionals, all of whom will be at the Classical Singer Convention in Chicago this May participating in the Audition Feedback Experience, have to say on the topic.
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Comedian Richard Jeni once mused about the Windy City, “I think that’s how Chicago got started. A bunch of people in New York said, ‘Gee, I’m enjoying the crime and
If you’re joining Classical Singer next month in Chicago for our annual convention (see ad p. 28), or visiting the city for another reason, here’s your guide to a city tour every singer will love.
Stage director James Marvel will join CS in Chicago this May to present two masterclasses on auditioning. Read some of his tips for taking your audition to the next level, including how to take control of the audition room. Then join Marvel at the Classical Singer Convention in Chicago to learn his step-by-step approach for making every audition piece unforgettable.
Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer, visit www.classical-singer.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!
