International opera star Fabio Armiliato could talk about his recent triumph at Carnegie Hall as OONY’s Polliuto, his international career, or his reputation as “The Cybertenor.” He could discuss how he uses computers for coaches, his interest in opera education, etc. But instead, he agreed to share his experience on a topic he rarely speaks about anymore—“the accident.” He said, “This time the account will be read by singers who really do need to know what happened and how to prevent it from happening again. When performers forget safety, we are all in trouble!”
The rules governing the making of tapes in rehearsals or live performances were formed for the protection of professional musicians. However, the rigidity of these rules denies or seriously hinders
Singers rarely see or hear the recorded version of their own performances, unless the performance is broadcast or someone in-house bends the rules. Strict limitations are intended to protect the
Singers and performing companies may not legally record performances or rehearsals without following strict guidelines negotiated by performers’ unions. Many singers would like to use these tapes to build their
Tenor Bruce Fowler and Mezzo Vivica Genaux will appear on July 18th in the Caramoor Festival Production of Donizetti's Lucrezia Borgia
In Massachusetts, it’s the third Monday in April, Patriot’s Day, the day of the Boston Marathon. Since I moved to Boston almost three years ago, I’ve been amazed at the
Three Viewpoints Singers and performing companies may not legally record performances or rehearsals without following strict guidelines negotiated by performers’ unions. Many singers would like to use these tapes to
Have you ever slaved to prepare for an important recording session and shelled out a ton of hard-earned cash, only to discover that your tape sounds like you were singing
ASCAP A membership society of over 75,000 composer, songwriter, lyricist and music publisher members, was created in 1914 to provide the essential link between the creators of music and the
Elin Carlson spent five years in Europe singing opera and musical theater, including a year’s run of CATS in Hamburg. She is also a published composer. Carlson performs frequently in Southern California and can be heard in many film scores, including Godzilla, Anastasia, Mars Attacks! and Flubber. Recently she used her contacts and resources to record her own CD.
JOHN J. MILLER MANAGER “Tapes are one of the least important elements of your package”; says John J. Miller, a former professional singer turned manager, who also writes and lectures
Last year, Christopher Hogwood and the Handel & Haydn Society were in town at BAM and I wanted to sing for him while he was here, but there just wasn’t
