con*sor*tium, n. 1 : an agreement, combination, or group formed to undertake an enterprise beyond the resources of any one.
This month Maria Zouves interviewed the world-renowned tenor about young singers, and his own hard-learned lessons over the years.
Experts say benefit recitals are one of the best ways for singers to underwrite their careers. Cynthia Vaughn spoke with one “stage mom” who helped her son raise $6,000 for a prestigious summer program and NY audition trips.
Most of us were taught that it’s rude to ask for money. But when it comes to fund raising, that belief needs to change–and Nora Sands, general director of AIMS, has been teaching singers how for many years.
If you share most musicians’ ideas on the subject, you assume that a patron of the arts is an extraordinarily wealthy individual who doles out lavish sums to a well-connected few, all of whom are less talented and less deserving than you would be.
A colleague once said to me, “I know that money doesn’t solve all of your problems.” He paused. “But it’s hard to think of any of my problems that wouldn’t be helped by a pile of money!”
With this article we introduce a new writer, Maria Zouves, who will be interviewing internationally acclaimed singers and asking them the questions you most want answered.
Soprano Susan Razavi is the founder of Alta Classica, a Manhattan company promoting classical Spanish music and zarzuela. Alta Classica features three performances per year, along with a vocal competition, master classes and an arts education performance. With a history of performance success and grant-writing experience, Susan gives some of her tips to singers thinking about starting their own company .
Some time ago, Classical Singer received an e-mail from a subscriber who shared the story of founding her own opera company and her subsequent struggles and successes. We recently caught up with Susan Cooke of the Cambridge Lieder & Opera Society. Her story is one of determination, insight and hard work—a true labor of love.
Incorporation as a nonprofit company need not be quite as daunting a task if you go into it with all the information you can find, knowing what to expect. Here are a few tips.
Some singers aren’t waiting to be hired, but are banding together to create performance opportunities. That can mean anything from a few singers hiring a pianist to perform a concert version for friends and family, to the all-out effort of putting together a viable opera company with orchestra, sets and costumes.
How do you take control of your life and your career? Is it possible? One artist who has done that from the beginning is Polish contralto Ewa Podles, featured in
