All Articles – Page 330

Robert Merrill, possessor of one the most beautiful male voices in operatic history, not only inspired us but also made us believe that nice guys do indeed finish first. His wife, Marion, seems to keep it all together and is revealed as the driving force behind the artist. “I don’t know how she does it, but she is amazing!” Merrill said to me while we ate our Chinese food at his favorite restaurant in upstate New York. Meanwhile, on-lookers marveled at the fact that at a table nearby was that man who sings for the Yankees and, oh yeah, the Met, too. But the coffee shop around the corner is really where he meets his fans. They can never resist saying hello to the octaginarian. “I want to write a book about all the wonderful people I have met here,”
declares the baritone, “their stories are so interesting.” My first thought was, “Look who’s talking!”

Grammy Award winner Michael Fine reveals the secrets of the studio.

Met soprano Youngok Shin talks about the benefits and special opportunities of covering.

If you are tired of the same old songs, imagine how your audience feels. Here are some techniques for discovering unfamiliar delights for your repertoire.

Lucrezia Borga, Les Contes D'Hoffmann, and Vanessa

A well-known coach brings you closer to the authentic Gershwin style
Tricky rhythmic notation and memorization traps are two of
the difficulties of this deceptively familiar aria

Classical Singer’s voice doctor discusses Nodules, that most frightening and least understood of vocal disorders

Frank talk from Editor-in-Chief CJ Williamson on how your thoughts are impacting your success.

There is vocal gold in the grooves of antique records ­78 R.P.M. recordings made
between 1898 and 1950. Classical Singer tells you how to mine it.

He could have been a slugger, but instead he became one of the vocal greats. Here's how he did it.

A behind-the-scenes look at the creation of a new opera at the Berkshire Opera Company.

The stage director and author discusses The Third Line, his book on successful preparation for operatic performance.