A demo CD, part of every singer’s package, often makes that first impression for you. Make sure it’s a good one by following Erda’s advice— and learning from her mistakes.
In an issue dedicated to voice teachers, it seems appropriate to present a Dr. Jahn column on a clinical team that is essential to the long-term survival of the singer—the voice teacher and the laryngologist.
Detroit Back In the Classical Radio Fold As of July 1, according to the Detroit News, residents of the motor city again have classical radio, a service they have had
Dear Editor: I love your articles and your style! You obviously care about your readers—your articles are frank, informative, and your advice compassionate and nurturing. Please continue printing more articles
Recently, as I was leaving a grocery store, I happened to walk past a car with four young children in the back seat. I couldn’t hear what was going on
Classical Singer’s 2004 Coach of the Year, Joan Krueger, cited this article as “one of the most inspiring” she has ever read. In honor of our 2005 Coach of the Year, here are excerpts from a written master class by Ms. Dornemann, reprinted from the CS Archives, January 2004. For the full article, visit our archives at www.classicalsinger.com.
This month we honor New York’s own Joan Dornemann. Read about her journey to coachhood, her years at the Met, and the passion for her job that has transformed her into a superb coach who makes a real difference in singers’ lives.
From what to wear, to how to handle your manager, to questions of ethics, the singing business can be fraught with dilemmas. But never fear, Erda is here with some answers!
Knowing just how much physical acting to do during an audition can be a challenge. Richard Crittenden's detailed interpretation of Menotti's 'Monica's Waltz' outlines general dos and don'ts that can be applied to any audition aria.
Have the warm breezes of summer brought you an onslaught of sneezes and sniffles? Read what remedies Dr. Jahn recommends for the seasonal allergies that can hamper those high notes.
Christine Brewer knows the importance of being patient, saying no, and waiting for the right opportunities. Her patience has paid off, with an international career on both the recital and operatic stage.
Take a look at a great new tool that every singer, whether techno connoisseur or novice, should know about.
