Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer, visit www.classicalsinger.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!
Dear Editor: I continue to recommend Classical Singer to all my undergraduate and graduate students as a most valuable tool in making the transition into the professional world. Many thanks!
On a warm May afternoon I sat down in a quaint, historic restaurant in the heart of Philadelphia for lunch with Martile Rowland. The Classical Singer Convention had ended the
Singers need a good instrument, talent, and training—and plenty of energy. This is the first in a series of articles on the “Chakra System”—or energy center—in the body. Suzanne Jackson explains how a better understanding of your chakras can help not just your physical wellbeing but your singing as well.
The face of Houston Grand Opera’s Studio recently changed, with two new appointments: Hector Vasquez and Kathleen Kelly. As Diane Zola becomes artistic director of HGO, Vasquez and Kelly discuss their new roles with HGO’s Studio.
In this issue about Young Artist Programs, we shine the spotlight on the Houston Grand Opera Studio. Read about the logistics of the program, and about the exciting new changes happening at HGO.
A former Cobra helicopter pilot and U.S. Marine Corps officer, Charles Robert Austin now makes his living on the operatic stage. After a difficult experience at the Metropolitan Opera National Council Auditions, Mr. Austin saw first hand the difference a fine teacher and Young Artist Programs can make to the career of a young singer.
Young Artist Programs often combine outreach programs with some main stage work. Here’s one singer’s perspective on what outreach has to offer, not only to children and schools, but also to singers. Have a laugh at some of the crazy things kids say, and also find out if you’re cut out for the rigors of an outreach program.
Denver (and its surrounding areas) is home to several opera companies and Young Artist Programs. CS’ Maria Nockin visited Opera Colorado and its Ensemble participants in March and returns with a full report. With a stunning new facility, notable graduates singing in major opera houses, and a world premiere in 2006, the Opera Colorado Ensemble is quickly making a name for itself.
Opera America Honors Colorado Teacher Opera America’s 2006 conference in Seattle made a point of honoring Bennett, Colo. music teacher Tresa Waggoner at its May 6 closing session. When Waggoner
Dear Editor: Classical Singer has been a wonderful tool and great inspiration for me as a young singer. Some of the articles I appreciate most are the personal interviews with
