Carnival Center Looking for Fundraising Help Florida’s Carnival Center for the Performing Arts is a new, first-class facility that has had difficulty attracting private donations, reports the Miami Herald. To
Whether you teach singing full-time, or run a part-time studio to supplement your singing income, insurance may be something you’ve never considered a necessity. Think again. Here are some reasons you probably need insurance and some information on what type of insurance might benefit you most.
While waiting for my brother outside a subway station in St. Petersburg, Russia, I sat down on a slab of concrete to rest my tired feet, and it wasn’t long
Read what the singers involved in the world premiere of Louis Karchin’s new opera, Romulus, have to say about the experience, including their advice for attempting chamber opera in your area.
Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.
Working with a living composer on the world premiere of a new work can be exciting and challenging. Composer Louis Karchin and a group of singers recently showcased his new opera in New York City. Karchin shares his advice for making such a project a success.
Read about the new edition of a valuable tool that has long lined singers’ bookshelves. This slimmed-down second edition, also available in paperback, will lighten your load without skimping on the details.
Last month marked the one-year anniversary of Lisa Houston’s “Inspirazione!” column. For a year now, Lisa has offered singers something to “breathe in” each month to nourish their artistic souls. To celebrate, she returns to the subject of the first column: Giuseppe Verdi. To read the first column, on Verdi’s music in Gold Rush San Francisco, see our September 2006 issue.