Excepting for the most famous of artists, solo vocal recitals are more or less a thing of the past. So in the university setting, where recitals are still a requirement, how can teachers and singers make them less perfunctory and more performance? Find ideas here.
Three women who have crossed over into the predominantly male, administrative side of opera discuss what it’s like being an impresario.
Superstar soprano Angela Brown tells why she started her one-woman show designed to draw new and younger audiences to opera.
Nearly every singer wonders at some point or another in their career pursuits whether or not they have what it takes to succeed as a professional singer. The always sage and straight-forward Cindy Sadler offers seven considerations for knowing if you have “it.”
