If you’re a mezzo-soprano, chances are you’ll be trading in those Carmen hips for a pair of breeched trousers à la Cherubino at some point in your vocal career. For many mezzos, the art of portraying a boy on stage is a challenge. When done effectively, however, it can lead to some of opera’s most memorable, rewarding, and versatile roles.
Susan Graham’s clarity of sound, superb technique, and in-depth character portrayals have made her one of the world’s most acclaimed modern mezzo-sopranos. In this edition of Classical Singer, Graham talks about her all-American upbringing in New Mexico and Texas, her road to success, her wide-ranging repertoire choices (which span various centuries and styles), her interest in new American works, and her masterclasses. In addition, she speaks briefly about stage directors and offers some valuable advice to young singers.
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Pavarotti was a great icon for many. For me, he was my inspiration to sing. Every day for three years I used to watch him living life to the fullest,
I will never forget it, sitting in the huge outdoor arena in Modena, Italy, as one of thousands watching and listening to the Three Tenors in concert. I had to
A soprano who shared the stage numerous times with Luciano Pavarotti remembers him for grand musicianship, deep love for family and friends, and fear of flying.
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